{"id":22,"date":"2018-02-06T10:42:12","date_gmt":"2018-02-06T10:42:12","guid":{"rendered":"https:\/\/websitedemos.net\/coach\/?page_id=22"},"modified":"2020-02-17T19:17:50","modified_gmt":"2020-02-17T08:47:50","slug":"about","status":"publish","type":"page","link":"https:\/\/nikisperou.com\/?page_id=22","title":{"rendered":"About"},"content":{"rendered":"<h1>CV<\/h1>\n<h2>Niki Sperou, B.VA (Hons)<\/h2>\n<p>Niki Sperou is an artist with a longstanding engagement<br \/>\nwithin the nexus between art, science and culture. Since 2006 she has been the<br \/>\nresident artist at the Department of Medical Biotechnology, Flinders<br \/>\nUniversity.&nbsp; Her interest in contemporary&nbsp;<br \/>\ninnovations in technology, the body and her cultural background have led her to<br \/>\ndraw parallels between biotechnology and ancient Greek cultural paradigms. For<br \/>\nSperou these connections emerge in chimerical forms and concepts.<\/p>\n<h3>Education<\/h3>\n<p>2006-present&nbsp;&nbsp;&nbsp; Artist&nbsp;in Residence, researcher, Department of Medical Biotechnology, Flinders&nbsp;University<\/p>\n<p>2007-2008&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Tutor,&nbsp;Art Theory, South Australian School of Art, University of South Australia<\/p>\n<p>2005&nbsp;&nbsp;&nbsp;&nbsp; Honours Visual&nbsp;Arts (First Class), Sculpture, University of South Australia<\/p>\n<p>2002&nbsp;&nbsp;&nbsp;&nbsp; Bachelor of&nbsp;Visual Arts and Applied Design, Drawing, AIT Arts, SA<\/p>\n<p>1983&nbsp;&nbsp;&nbsp;&nbsp; Certificate IV&nbsp;in Dress Design and Garment Construction, Panorama College, SA<\/p>\n<h3>Experience &amp; Projects<\/h3>\n<p>2010-present&nbsp;&nbsp;&nbsp; Bio-art&nbsp;Workshop leader<\/p>\n<p>2019&nbsp;&nbsp;&nbsp;&nbsp; Out of the&nbsp;Blue project, marine algal community outreach project with CMBD, Flinders&nbsp;University<\/p>\n<p>2018&nbsp;&nbsp;&nbsp;&nbsp; Quite Frankly,&nbsp;Conference paper, SymbioticA, University of Western Australia<\/p>\n<p>2018&nbsp;&nbsp;&nbsp;&nbsp; Spectra,&nbsp;Australian Network for Art u0026amp; Technology (ANAT) Conference paper, MOD,&nbsp;SA<\/p>\n<p>2011&nbsp;&nbsp;&nbsp;&nbsp; SALA Moving&nbsp;Image project, The Sacred Way Installation, Festival Cente Plaza, Adelaide SA<\/p>\n<p>2010&nbsp;&nbsp;&nbsp;&nbsp; Workshop&nbsp;Leader, Biotech Art Workshop, Flinders Dept of Medical Biotechnology, 23-27 Aug<\/p>\n<p>2009\/2010&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Artist&nbsp;in Residence, Prospect Gallery<\/p>\n<p>2009&nbsp;&nbsp;&nbsp;&nbsp; Best Foot&nbsp;Forward II, Public Art Workshops, Craft South, Adelaide SA<\/p>\n<p>2009&nbsp;&nbsp;&nbsp;&nbsp; Workshop&nbsp;Leader, \u2018Splice, Dice, Replicate\u2019, EAF Biotech Art Workshops, Dept Medical&nbsp;Biotechnology Flinders University, 14-17 April<\/p>\n<p>2009&nbsp;&nbsp;&nbsp;&nbsp; Artist in&nbsp;Residence Womadelaide Festival, Karagiozis Greek Shadow Puppet Workshops<\/p>\n<p>2008&nbsp;&nbsp;&nbsp;&nbsp; The Synergy&nbsp;Project: The Incubator, Media Arts Collaborative Workshop, Centre of&nbsp; Experimental Music, Adelaide University.<\/p>\n<p>2008&nbsp;&nbsp;&nbsp;&nbsp; Erica Leitner,&nbsp;Textile technique in metal, JMGA Jam Factory, Adelaide<\/p>\n<p>2007&nbsp;&nbsp;&nbsp;&nbsp; Children\u2019s&nbsp;Workshop Leader, South Australian Museum<\/p>\n<p>2007&nbsp;&nbsp;&nbsp;&nbsp; Best Foot&nbsp;Forward, Public Art Workshops, Craft South, Adelaide SA<\/p>\n<p>2007&nbsp;&nbsp;&nbsp;&nbsp; Tjanpi Desert&nbsp;Weavers Project, Womadelaide<\/p>\n<p>2006&nbsp;&nbsp;&nbsp;&nbsp; There, Not&nbsp;There, Public Art Workshops, UniSA<\/p>\n<p>2006&nbsp;&nbsp;&nbsp;&nbsp; Chico&nbsp;McMurtrie, Inflatable Bodies, Robotics Workshop, EAF<\/p>\n<p>2006&nbsp;&nbsp;&nbsp;&nbsp; Winter&nbsp;Cultural Exchange Program Pukyong National University, Korea<\/p>\n<p>2005&nbsp;&nbsp;&nbsp;&nbsp; Godwin&nbsp;Bradbeer, Drawing Masterclass, Central School of Art<\/p>\n<p>2005&nbsp;&nbsp;&nbsp;&nbsp; Eduardo Kac&nbsp;workshops, Art u0026amp; Biotechnology, EAF<\/p>\n<p>2003&nbsp;&nbsp;&nbsp;&nbsp; Biotech Art&nbsp;Workshops, Oron Catts and Garry Cass, EAF<\/p>\n<h3>Selected Grants &amp; Awards<\/h3>\n<p>2018&nbsp;&nbsp;&nbsp;&nbsp; Inspiring SA,Science and Art Working Together, 2018 Regional Science and Art Grant, Out of&nbsp;the Blue Project<\/p>\n<p>2016&nbsp;&nbsp;&nbsp;&nbsp; SALA&nbsp; Festival, South Australian Health and Medical&nbsp;Research Institute (SAHMRI) Residency, Infection and Immunity Team<\/p>\n<p>2013&nbsp;&nbsp;&nbsp;&nbsp; Arts SA,&nbsp;Professional Development Grant, Toxicity Project<\/p>\n<p>2007&nbsp;&nbsp;&nbsp;&nbsp; Ruby Award,&nbsp;Inaugural Oz Asia Festival<\/p>\n<p>2006&nbsp;&nbsp;&nbsp;&nbsp; ArtSA Public&nbsp;Arts Mentorship, \u2018Bubbles Project\u2019, Mentor NSW Artist Duke Albada<\/p>\n<p>2006&nbsp;&nbsp;&nbsp;&nbsp; Adelaide&nbsp;Fringe Festival Individual Artist Award -Visual Arts for 2006 Helpmann&nbsp;Exhibition<\/p>\n<p>2006&nbsp;&nbsp;&nbsp;&nbsp; UniSA Cultural&nbsp;Exchange Scholarship, Pukyong National University, Korea<\/p>\n<p>2005&nbsp;&nbsp;&nbsp;&nbsp; ArtSA Industry&nbsp;Development Project Assistance Grant for Cultural Diversity Cluster Mentorship&nbsp;Scheme<\/p>\n<h3>Selected Solo Exhibitions<\/h3>\n<p>2019&nbsp;&nbsp;&nbsp;&nbsp; Out of the&nbsp;Blue, Riddoch Gallery, Mt Gambier, SA<\/p>\n<p>2019&nbsp;&nbsp;&nbsp;&nbsp; Out of the&nbsp;Blue, Signal Point Gallery, Goolwa, SA<\/p>\n<p>2016&nbsp;&nbsp;&nbsp;&nbsp; Matrix, the&nbsp;body as scaffold for the methodologies and metaphors of science, Gallery 1855,&nbsp;Tea Tree Gully, SA<\/p>\n<p>2010&nbsp;&nbsp;&nbsp;&nbsp; Golden Fleece,&nbsp;Prospect Gallery Artist in Residence Exhibition<\/p>\n<p>2009&nbsp;&nbsp;&nbsp;&nbsp; Karagiozis the&nbsp;Greek Migrant, Flinders University Education Building<\/p>\n<p>2007&nbsp;&nbsp;&nbsp;&nbsp; Man A Plant,&nbsp;Promenade Gallery, Flinders Medical Centre, Adelaide<\/p>\n<p>2007&nbsp;&nbsp;&nbsp;&nbsp; Inside SAM\u2019s&nbsp;Place, South Australian Museum<\/p>\n<p>2006&nbsp;&nbsp;&nbsp;&nbsp; Odumak- shelter&nbsp;small and warm, Nexus Multicultural Arts Centre<\/p>\n<h3>Selected Group Exhibitions<\/h3>\n<p>2018&nbsp;&nbsp;&nbsp;&nbsp; Threads of&nbsp;Thought, Signal Point Gallery, Goolwa, SA<\/p>\n<p>2018&nbsp;&nbsp;&nbsp;&nbsp; The Doll&nbsp;Redefined, Gallery 1855, Tea Tree Gully, SA<\/p>\n<p>2017&nbsp;&nbsp;&nbsp;&nbsp; The Rise of&nbsp;Bio-Society, Riddoch Gallery, Mt Gambier, SA<\/p>\n<p>2017&nbsp;&nbsp;&nbsp;&nbsp; Curious&nbsp;Objects, Signal Point Gallery, Goolwa, SA<\/p>\n<p>2016&nbsp;&nbsp;&nbsp;&nbsp; The Colonised&nbsp;Body, SALA Festival, South Australian Health and Medical Research Institute<\/p>\n<p>2013&nbsp;&nbsp;&nbsp;&nbsp; Toxicity, Plug&nbsp;In ICA u0026amp; Video Pool Media Arts Centre, Winnipeg Canada<\/p>\n<p>2012&nbsp;&nbsp;&nbsp;&nbsp; Domestic +&nbsp;Science, RiAus Science Exchange<\/p>\n<p>2012&nbsp;&nbsp;&nbsp;&nbsp; 3D Play, AIT&nbsp;Arts, SA<\/p>\n<p>2011&nbsp;&nbsp;&nbsp;&nbsp; Energy: resistance and subversion, exhibition, workshop leader and conference, SeaFair,&nbsp;Skopje, North Macedonia<\/p>\n<p>2010&nbsp;&nbsp;&nbsp;&nbsp; The Apparatus&nbsp;of life and Death, exhibition and conference, SEAFair, Skopje, North Macedonia<\/p>\n<p>2010&nbsp;&nbsp;&nbsp;&nbsp; MARCC Forum,&nbsp;Exhibition and Conversation Panel, Flinders University<\/p>\n<p>2010&nbsp;&nbsp;&nbsp;&nbsp; Khemia: Living&nbsp;Alchemy, RiAus Science Exchange<\/p>\n<p>2009&nbsp;&nbsp;&nbsp;&nbsp; Biotech Art&nbsp;Revisited, EAF + Life death u0026amp; Biotechnia Symposium, Mercury Cinema<\/p>\n<p>2009&nbsp;&nbsp;&nbsp;&nbsp; Hari Bumi,&nbsp;puppetry performance in collaboration with Heri Dono, Hepatitis C Council<\/p>\n<p>2008 &amp; 2009&nbsp;Odyssey Festival , \u201cOdyssey of Youth\u201d, Adelaide Festival Centre Foyer&nbsp;&amp;&nbsp;eye2eye gallery<\/p>\n<p>2008&nbsp;&nbsp;&nbsp;&nbsp; Ose Tara Lia,&nbsp;Group Collaborative Project, installation and puppetry performance with Heri&nbsp;Dono, OzAsia Festival, Artspace, Adelaide Festival Centre<\/p>\n<p>2008&nbsp;&nbsp;&nbsp;&nbsp; Breeding&nbsp;Ground, Jam Factory Contemporary Craft and Design, Adelaide SA<\/p>\n<p>2007&nbsp;&nbsp;&nbsp;&nbsp; Undiscovered&nbsp;Country, Inaugural OzAsia&nbsp;Festival,&nbsp; Artspace, Adelaide Festival&nbsp;Centre<\/p>\n<p>2004&nbsp;&nbsp;&nbsp;&nbsp; DIY DNA DAY,&nbsp;Heath Bunting curator, Cube microplex, London<\/p>\n<h3>reviews<\/h3>\n<p>\u201ccellular intrigue\u201d, RealTimeArts Magazine issue, 91http:\/\/www.realtimearts.net\/article\/issue91\/9474<\/p>\n<p>\u201cKhemia: Living Alchemy Exhibition\u201d August 11, 2010, http:\/\/sacrit.blogspot.com\/2010\/08\/khemia-living-alchemy-exhibition_11.html<\/p>\n<p>&nbsp;\u201cFor Niki, art is in her blood\u201d, The Advertiser, August 09,<br \/>\n2010, http:\/\/www.adelaidenow.com.au\/for-niki-art-is-in-her-blood\/story-e6frea6u-1225903190939<\/p>\n<p>&nbsp;\u201cNIKI SPEROU: ETHNOGRAPHICA, An exhibition reveals the bones<br \/>\nof the museum\u201d, July 2007, http:\/\/www.concatenate.net.au\/sperou\/sperou.html<\/p>\n","protected":false},"excerpt":{"rendered":"<p>CV Niki Sperou, B.VA (Hons) Niki Sperou is an artist with a longstanding engagement within the nexus between art, science and culture. Since 2006 she has been the resident artist at the Department of Medical Biotechnology, Flinders University.&nbsp; Her interest in contemporary&nbsp; innovations in technology, the body and her cultural background have led her to&#8230;<\/p>\n","protected":false},"author":0,"featured_media":300,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-22","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/nikisperou.com\/index.php?rest_route=\/wp\/v2\/pages\/22","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nikisperou.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nikisperou.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"replies":[{"embeddable":true,"href":"https:\/\/nikisperou.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22"}],"version-history":[{"count":22,"href":"https:\/\/nikisperou.com\/index.php?rest_route=\/wp\/v2\/pages\/22\/revisions"}],"predecessor-version":[{"id":415,"href":"https:\/\/nikisperou.com\/index.php?rest_route=\/wp\/v2\/pages\/22\/revisions\/415"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nikisperou.com\/index.php?rest_route=\/wp\/v2\/media\/300"}],"wp:attachment":[{"href":"https:\/\/nikisperou.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}